PERFORMANCES

October 3, 2017; Michigan State University
I lost my Life Savings in the Bitcoin Crash of 2014 (solo violin)
performed by Robert Simonds

August 26, 2017; Waterloo Regional Contemporary Music Sessions, Waterloo, CA
I saw the land break in half (piano, percussion, electronics)
in collaboration with by Colin Frank, Kristian Podlacha, Justin Greene

May 12-13, 2017; Downtown Chamber Series Concert, Phoenix, AZ
I lost my Life Savings in the Bitcoin Crash of 2014 (solo violin)
performed by Robert Simonds

January 28, 2017; Oh My Ears Marathon Concert, Phoenix, AZ
Technical Difficulties (2 flutes, black midi)
performed by Sara Constant and Elizabeth Kennedy Bayer

January, 2017; Northwestern Tour
Purpleberry (flute and guitar) performed by the Keith/Larson Duo

November 22, 2016; Phoenix, AZ
Unmeasured (flute, fixed media) performed by Elizabeth Kennedy Bayer

June, 2016; Toronto Creative Music Lab
For Sterling (chamber ensemble with audience member)

Janurary, 2015l; Oh My Ears Marathon Concert
I smell paint, smoke, and dust (reed quintet)
performed by the Driftwood Quinet

March 17, 2015; Ruth Lilly Performance Hall, University of Indianapolis, IN
I Lost my Life Savings in the Bitcoin Crash of 2014 (solo violin)
performed by Robert Simonds

March 9, 10 2015; Nebraska; UNK New Music Festival
Unmeasured (flute, fixed media) performed by Elizabeth Kennedy Bayer

February 18, 2015; Riverside, CA; UC Riverside Outpost Concert Series
Unmeasured (flute, fixed media) performed by Meerenai Shim

October 30th 2014; Wichita, KS; KNOB Festival,
Magic Sky Fairy (chamber ensemble, fixed media)
premiered by the Enid Trio

August 2014; Rhymes with Opera Summer Chamber Music Workshop;
Two scenes from Be Mine written and premiered (2 sopranos, viola, accordion)

May 2013; Phoenix, AZ; Flute Recital at GreenHaus Gallery

May 2013; Tempe, AZ; Big ol’ concert of my and Tom Peterson’s music

April 4th 2013; Phoenix, AZ; Crescent Ballroom, Phoenix, AZ, arrangements of Beck Hansens’ Song Reader; performed by Phoenix Chamber Brass, Emby Alexander, and myself

March 2013; Phoenix Center for the Arts; various small chamber pieces and arrangements performed and premiered at a benefit for Orange Theatre Group; performed by Josh Benett, Katie Valdez, and myself

Fall 2012; Phoenix, AZ;
New York’s Hottest Club (cello, ghetto blaster) performed by Jenna Dalbey

September 5th; Hartford, CT; participant in the Vexations Project presented by The Generous Ensemble

July 2012; soundSCAPE festival in Maccagno, Italian Alps; Space Cadet (French horn + viola + fixed media) performed and commissioned by Made of Win

June 2012; The Rock Room in Pittsburgh, PA; Space Cadet (French horn + viola + fixed media); performed and commissioned by Made of Win

May 2012; Scottsdale and Bisbee, AZ; Shadow Train (viola, piano, singing instrumentalists); performed and commissioned by Kathryn Christensen (piano) and Andi Hemmenway (viola)

May 2012; Tempe, AZ; Can you see me? Can you hear us? (flute, violin, double bass, perc.); AZ Centennial Composition Competition (Judges’ Award winner)

August 2011; New York, NY; The Firefly Variations (solo piano); performed by Isabelle O’Connell

July 2011; Bang on a Can Summer Fest in North Adams, MA; Little Church (mixed chamber ensemble)

July 2011; highSCORE Festival in Pavia, IT; Saint Quarrelsome (electric guitar quintet)

June 2011; New Dischord Festival; Unmeasured (flute + fixed media)

April 2011; Lawrence, KS; Crust (trombone + fixed media)

April 2011; Shenandoah University in Winchester, VA; Unmeasured (flute + fixed media); performed by Ashley Bingaman

July 2010; highSCORE Festival in Pavia, IT; Saint Quarrelsome (electric guitar quintet)

June 2010; Cortona Sessions for New Music; Umeasured (flute + fixed media); performed by Sophia Tegart